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	<title>The Darkside</title>
	<link>http://www.darksidelive.co.uk</link>
	<description>Just another WordPress weblog</description>
	<lastBuildDate>Sun, 03 Feb 2008 12:05:40 +0000</lastBuildDate>
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	<item>
		<title>I&#8217;m going to write this in 3 minutes&#8230;</title>
		<description>
…and I haven’t got time to stop for typing  errors or nothing, so this article;s legibilty is in the hands of the godw. And spellcheck. /

I first went to a 3 minute warninf event when I was but a young lad of twenty eight [subs, check this for me would ...</description>
		<link>http://www.darksidelive.co.uk/?p=162</link>
			</item>
	<item>
		<title>Charles Poulet</title>
		<description>3min warning 13/01/08

3 min, you have been warned … warned that you are going to be challenged, amused, entertained, questioned, touched, moved, annoyed, as many time as you can fit 3 min in 2 hours.

Warned that you might find yourself wishing you had come prepared with 3 min of something.

I ...</description>
		<link>http://www.darksidelive.co.uk/?p=158</link>
			</item>
	<item>
		<title>Calum.F.Kerr</title>
		<description>Dickens on the Darkside 

"There were hailstones as I ran to the theatre with papers stuffed in my leather case and hand on my hat to stop it blowing over the Quayside. I noticed how the city of Bristol had grown cold since my last visit twenty-five years before, yet, ...</description>
		<link>http://www.darksidelive.co.uk/?p=157</link>
			</item>
	<item>
		<title>Tim Jeeves</title>
		<description>The Performance Re-enactment Society 

Before consciousness
Begin with the impossible - an infinitesimally small period of time in a performance, a half or quarter of a moment.
Examine it and see that in such an instant, between the action that is made and its reception by an audience, there is no subjective ...</description>
		<link>http://www.darksidelive.co.uk/?p=156</link>
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		<title>Michael Pinchbeck</title>
		<description>The Performance Re-enactment Society 

Performance's only life is in the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representations of representations: once it does so it becomes something other than performance. [Phelan, P. 1993: 146] Peggy Phelan has written much about the temporality of ...</description>
		<link>http://www.darksidelive.co.uk/?p=155</link>
			</item>
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		<title>Polaroids</title>
		<description>	I’m centre-stage, alone, dressed impeccably in a pristine tuxedo and bow-tie, as if for an embassy reception or an opening night at the opera. The lights are up and whilst I know the theatre is a sell-out, I can’t see the vast majority of the audience. I’m looking dead ahead. ...</description>
		<link>http://www.darksidelive.co.uk/?p=150</link>
			</item>
	<item>
		<title>Lee Campbell</title>
		<description>Anyone for Irony ? 

How do we know what is pre-meditated and what is spontaneous? Would we think any less of something that had been “thrown together” in a matter of minutes to something that had been heavily pre-considered to the finest details? Does the audience sense the time and ...</description>
		<link>http://www.darksidelive.co.uk/?p=148</link>
			</item>
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		<title>THIS IS FOREIGN MUCK</title>
		<description>October 25th, 2007 by tim
It’s been 13 years since Foreign Muck last turned their amps up to 11 and rocked our world. Or maybe it’s been 4. Or maybe it’s been as much as 20, no-one really seems to know for sure. Our reporter Timothy X Atack catches up with ...</description>
		<link>http://www.darksidelive.co.uk/?p=146</link>
			</item>
	<item>
		<title>FOREIGN MUCK GIG NOW SHOWING!!!</title>
		<description>klcic </description>
		<link>http://www.darksidelive.co.uk/?p=143</link>
			</item>
	<item>
		<title>Foreign Muck Teaser</title>
		<description>Click here to watch it... </description>
		<link>http://www.darksidelive.co.uk/?p=136</link>
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